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Reviews
  • Piano Magazine

    Piano Magazine

    mai 2004
    "The audience is still buzzing at the audacity and talent of the artist they have just seen. Vincent Larderet’s program truly eschewed half measures: Brahms’ Third Sonata, Scriabin’s Prelude & Nocturne for the Left Hand, Rachmaninoff’s Second Sonata. Without affectation or histrionics, he imposes a colorful, powerful and supremely controlled style. His Scriabin shows admirable mastery of the independence of the lines. The composer’s writing surely invites this, but there remains the challenge of transforming this technical requirement into sonic poetry. For Larderet aims for expression and touches the heart of music. In Rachmaninoff’s Sonata (…) from the angry entrance to the final apotheosis, the piano is a noble, expressive thoroughbred."

    Piano Magazine n°40 (France)
    Nicolas Southon
  • Classica 5 / 5

    Classica 5 / 5

    juillet 2002
    "The Toccata by Prokofiev is perhaps given the most outstanding performance in the entire catalogue, more controlled than Horowitz’s , of a more relentless motoric motion, and therefore more hallucinatory, than Argerich’s, and with complete mastery of the piano’s tone."  

    Classica n°44 (France)
    Jean-Jacques Groleau
  • Kieler Nachrichten

    Kieler Nachrichten

    avril 2002
    "Vincent Larderet played Robert Schumann’s Symphonic Studies with astonishing passion and power; allied to great technical skill (…) He placed his virtuosity at the service of the music."

    Kieler Nachrichten (Germany)
  • Le Figaro

    Le Figaro

    juin 2001
    “Vincent Larderet’s recent performances coincide with the release of his second recording, which follows on from a first CD featuring a memorable Fantasia Bætica. The young pianist excels in the repertoire of the 20th century (…) He gave a simmering, captivating rendition of Scriabin’s Sonata-Fantasia (…) He brought the same composed skill to Ravel’s Valses nobles et sentimentales, sonorously redolent, rhythmically exultant, in a register of total commitment (…) The boldness of this approach gave infinite texture to Prokofiev’s Toccata opus 11."

    Le Figaro (France)
    Gérard Corneloup
  • Catalunya musica

    Catalunya musica

    juin 2001
    "Pianista de gran sensibilitat expressiva."

    Catalunya musica (Spain)
  • Le télégramme de Brest

    Le télégramme de Brest

    juin 1997
    "Vincent Larderet displayed superb maturity and impressive technique. His concert was a model of cohesion between a difficult score and an interpreter, for that is the only word that applies, capable of drawing majesty and emotion from the notes."

    Le Télégramme de Brest (France)

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